“I learned to deal with whatever came my way and to make something of it.”
Charles wishes to convey this positive outlook in his work as well, and that is the main reason why he moved from figurative to abstract painting and eventually developed a form of his own.
“I do not want a fixed framework, but to tell the viewer a different story each time. A story that leaves the viewer with a happy feeling.”
After an eventful year on Crete, Charles returns to the Netherlands. Here he takes on various jobs to support himself, but above all to be able to keep painting and composing. From barman to pub landlord and from taxi driver to cleaner of bank buildings. All in the service of art.
Although these jobs bring in enough money, Charles finds no fulfilment in them. He therefore decides to give piano lessons, for which, being self-taught, he has completed a course in music theory.
Music, after all, remains his greatest source of inspiration. For him, every painting is an imagining of music. He gives careful thought to form, composition, colour and texture, searching for the harmony and melodic lines found in music and in landscapes. What you hear in music and what moves you, he also tries to convey in his paintings. “You have to fall in love with a painting, and then it will tell you its story,” says Charles.
Through composing large, abstract, colourful paintings, and with the help of the artist couple Toth Varju of Galerie De Boog, Charles develops into a successful painter.
From the 1990s onwards Charles exhibits frequently. He is represented by several galleries and is invited by galleries in Barcelona and Luxembourg. The crowning achievement of his exhibition work is an invitation to the Biennale in Florence.